"The piano soloist shined in the Mozart concert “                  Mozart’s Concert N.23 for piano was included as well a first class local soloist: Agustina Herrera. The pianist, very young, impresses for her self confidence, for the elegance of her style and a strong sense for a continuum, she is sensible in the dialog wit the orquestra and at the same time strongly centered in herself”

                                  Federico Monjeau - Clarin - March 29, 2004

“... excelency of the piano soloist Agustina herrera”... “The beautiful concert for piano K. 488 from Mozart, was listened in a irreproachable style that provoqued a silence in the hall, which occurs rarely”... “Herrera offerend a purified domination of the keyboard, a sound sourranded by a charming tint and the controlled expresive sense to avoid falling into a discourse from late romanticism.  The adagio, clear exmple of the supreme simplicity and inspiration of Mozart, was brilliantly played, not only because it has shown the high level of the pianist and her delicate painful expresion ...”

                      Juan Carlos Montero - La Nación - March 29, 2004

“Very subtle stroke and owner of a superior touche  in a variation of intensities, the pianist from Buenos Aires has shown a color spectrum of high refinement, she has as well shown high musicality and a solid expositive line, with clear articulation of silences”...”Kotounov ... one of the best chello player in in Argentina ... has shown a neat sonority and of a deep expression, a legacy with a penetrating beauty and a absolutely precise tuning. All these qualities and the particular communication among both players were seen in the Debussy Sonata... the culminating momen of the night was doubteless with the heart-breaking Shostakovich sonata ..., both soloists have demonstrated their high level and their strong  expressive capacity, even in the instropect parts.”

                                         Carlos Ure - La Prensa - June 26, 2004

“Agustina Herrera and Serguei Kotounov played with conviction”. “They covered a program without any concessions and played brillantly two complex pieces: the sonatas for cello and piano from  Debussy and Shostakovich. The interpretative work was excelent both in the style and in expressve and technical  areas.

                                                       La Voz del interior - June 26, 2004

…"The pianist Agustina Herrera shows an impeccable, neat fingering technique, a charming sound with a pearly nuance and homogeneity of touch in the faster passages and a passionate expression to give a warm inflection to each phrase”…

Juan Carlos Montero -  La Nación - May 2001- Argentine

...“Mozart’s  adagio in F minor  is a consummate nocturne piece  that is concise and has the qualities of an  aria.  Thus Agustina Herrera understood this perfectly, for she played the piece most expressively with the  Kammerorchester of the Hochschule.  The  Argentine soloist offered  light, ethereal Mozartians sounds...”

Badischer Zeitung -  April 1997 -  Germany

“Agustina Herrera, a world- class solo player”

“… a strong temperament, a rounded and full sound with luster in the left hand when hitting the bass strings, which is essential for the concert of Rachmaninoff in which she performed with a outstanding personality…”

Abel López Iturbe -  Ámbito financiero -November 1990-Argentine

“...It was a concert of undisputed quality !…  characterized by its fine, hearty performance”

Agustina Herrera showed a great musical talent, evidenced by an incredible touch of the soul’s she implants into her play to produce the profoundest sensation on the audience”...

Dernières Nouvelles d‘Alsace - January 1997 - France

“…The soloist Agustina Herrera played a superb solo that initiated the slow movement .  The presto was lively, graceful and elegant…”

Acher-Rench-Zeitung - may 1997 – Germany

…”She drew the attention of the audience with a graceful, intelligent and logically built performance of the concert of Mozart in A Major K 488.  Agustina Herrera artistically attracted the audience with a touch both delicate and clear as well as with her vigorous interventions .  The second movement, Adagio was emotionally profound…”

Acher- und Bühler Bote - may 97 - Germany

."...Las escalas de los solos tuvieron brillo, la cadencia despliegue de verdaderas dimensiones. El movimineto lento condujo el arte del "legato cantado" …con expresión..."

Helmut Weidhase Südkurier - May 97 - Ger4many